Last week, RuPaul told The Guardian, “Drag loses its sense of danger and its sense of irony once it’s not men doing it, because at its core it’s a social statement and a big f-you to male-dominated culture. So for men to do it, it’s really punk rock, because it’s a real rejection of masculinity.”
In this statement, it is made clear that what are sometimes referred to as “faux queens” or “bio queens” are not welcome to participate in RuPaul’s Drag Race.
In a followup question, Decca Aitkenhead of The Guardian asked, “So how can a transgender woman be a drag queen?”
To which RuPaul responded, “Mmmm. It’s an interesting area. Peppermint didn’t get breast implants until after she left our show; she was identifying as a woman, but she hadn’t really transitioned.”
Decca continued, “Would you accept a contestant who had? ”
“Probably not. You can identify as a woman and say you’re transitioning, but it changes once you start changing your body. It takes on a different thing; it changes the whole concept of what we’re doing. We’ve had some girls who’ve had some injections in the face and maybe a little bit in the butt here and there, but they haven’t transitioned.”
In a followup tweet which has sparked a great deal of outrage, RuPaul tweeted:
You can take performance enhancing drugs and still be an athlete, just not in the Olympics. pic.twitter.com/HkJjzXzUGm
— RuPaul (@RuPaul) March 5, 2018
Before I speak to this topic, let me just go ahead and deplatform myself immediately in establishing that I am an outsider to queen culture.
Queen culture is something I have always avoided association with because I have never liked having who I am conflated with what I (and many others) have perceived as a male-exclusive form of artistic expression.
My life as a trans woman is not art nor entertainment for anyone.
I do not want to be on display. In fact, I want the opposite. I want to be myself and live a normal life free from the distress of being forced to live the life of a gender that I am not.
That distinction isn’t easy for many people to make. Just yesterday, an anti-trans activist compared me with Divine, who is best known for their role in John Waters’s Pink Flamingos.
We are not the same.
Avoiding that conflation has led me to avoid appreciation of the expression of the drag artform. I recognize myself as an outsider to this culture and approach my criticism to it as such.
As would be the case with any form of artistic expression, I feel that biologic sex should not matter in the expression of the form. Exclusion of women from queen expression strikes me as similar to excluding women from forms of artistic expression such as writing, painting, music, acting, comedy, etc.
One might say that women have the option to participate in king culture and to create caricatures of men to put on display on their own art, but it’s really not the same, and bio queens very much do exist. As I have come to understand drag, it is more about the expression of extreme femininity in queen culture and extreme masculinity in king culture. It is less about biology and more about the portrayal of a caricature. As such, I do not see why it would be problematic for anyone, in spite of sex or gender, to express themselves as a queen/king or participate in a competition such as RuPaul’s Drag Race.
In a piece by Kashmira Gander of The Independent in which Kashmira, a female at birth, explored the concept of women’s participation in queen culture by, herself, undergoing transformation into expression of the form as a caricature known as Trashmira, Kashmira wrote, “But a question remained. How can a woman be a drag queen, when a drag queen is a man dressed as a woman? This issue has divided the drag community – with bio, or “faux”, queens defending their right to perform alongside their male counterparts. The answer comes down to the fact that drag is about more than just a man wearing a dress, but about questioning gender stereotypes and the norms we are expected to conform to – norms that can stifle us all – all while putting on a blinding show.”
This attitude has brought me to view the artistic intent of drag in an entirely different light. If attitudes like this were more embraced toward queen culture and women were openly welcomed to participate in drag competitions, I would personally begin to find queen culture far more appealing.
Many have been outraged by RuPaul’s exclusionary statements regarding trans women in particular. Initially, I was not offended because I viewed queen culture through the frame that it was a male-only form of expression, as RuPaul himself appears to believe. But I then began to think about how sexist that sounded, a “male-only form of expression” and I began to consider that perhaps it may be time to re-evaluate our perceptions of queen and king culture. The issue here seems to me to be less about trans-exclusion and more about female exclusion.
What exactly precludes women from the expression of themselves as queens?
What exactly precludes men from the expression of themselves as kings?
I’m not convinced these questions have valid answers. I can only speak for myself as an outsider who has never appreciated the form. The boundaries we might construct in answering these questions are a detriment to the form. If we can push these boundaries, I know that I personally will become much more interested in these forms of expression because, as is true in most things, diversity brings strength to forms.